Original article written for momondo, available here.
momondo caught up with Everyday Brasil for a chat about the work of the Instagram movement and its efforts in presenting an authentic image of a vast, diverse nation
In a country as vast and as varied as Brazil, depicting a narrative that paints an accurate portrait of everyday life can be a challenging task. Following in the footsteps of other Everyday Projects, the viral Instagram photography movement Everyday Brasil hopes to disseminate knowledge of Brazil and its social realities.
And rather than aiming specifically at a global audience, the imagery of Everyday Brasil is just as much about portraying the country to its own citizens, exemplified amongst other things by their image captions, displayed in both English and Brazilian Portuguese.
momondo interviewed Ivana Debértolis, the founder of Everyday Brasil, to gain a better understanding of the work of the movement. We’ve also made a playlist to help get you into the groove as you scroll through the imagery of Everyday Brasil.
How did Everyday Brasil come to life?
Everyday Brasil was born in 2015, as word of other Everyday projects such as Everyday Africa and Everyday Iran got out. As a photographer myself, I quickly realised the potential of the Everyday Everywhere projects and reached out to the people behind Everyday Africa. From there, things have grown very quickly.
- Re-imagining a continent – a glimpse at the work of Everyday Africa
- Exploring the many facets of Iran: delving into the photography of Everyday Iran
What are the main objectives of Everyday Brasil?
As part of the Everyday projects, we aim to enrich others with knowledge of our country in a way that avoids presenting a stereotypical image of Brazil. We want to spread knowledge about the real Brazil and about the reality of life here, abroad but also locally. For instance, even though I was born in Brazil and live here now, there are so many things about my country that I have yet to learn.
We can all learn a lot more about our own country. As such, each photo on our feed brings us closer to the reality of life in different parts of the country.
What is your role in Everyday Brasil?
I’m a curator, broadly responsible for managing the Everyday Brasil project. I delegate some of this responsibility as we have almost 50 photographers and fixed collaborators scattered across the country. Our nation is large and very diverse, so even though 50 photographers may seem like a lot, it is a necessary number as we need to document our many regions and places in a natural manner.
For this reason, I often have to do a bit of research to come up with a creative and relevant caption. This is a learning process for me as I have become increasingly acquainted with Brazil. There is still so much to be learned though and more knowledge to be shared.
How is the diversity of Brazil depicted in the image selection process?
We focus on documenting events that are of relevance in the country such as some political demonstrations, national days and so on. All images are taken by our photographers, as this is a photography project that we take seriously.
Seeing how similar events are depicted differently across the country is always interesting. We vary the location of our content – for instance, if we publish a picture from Rio de Janeiro, the next one will be from another city and state.
By the same token, we also try to alternate between photographers as much as possible. If you look at our gallery, the subjects in it are all very different.
What is the role of photography in a country as large and diverse as Brazil?
Photography is a way of taking in information quickly. You can look at an image and very quickly decipher the story that it is trying to tell. Photography is accessible and in this case is for everyone. In today’s’ day and age, platforms such as Instagram have made this a reality.
We always think carefully about the role that photography can play when it comes to telling a story – the captions explaining the photos are important but we should not force them on our audience too much. In the end, it is all about people drawing their own conclusions about our images and asking themselves critical questions. Our photography is a vehicle for this process.
In your opinion, why should people travel to Brazil?
For the same reasons that I myself ought to travel as much as possible in Brazil – this is a rich and diverse country. It sometimes feels like there are several countries in one – everyday life is very different in the south than it is in the northeast for instance. The same is true of the people, our customs, food and so on – everything varies a great deal depending on where in the nation you find yourself. Brazil has problems like any other nation, but we are a proud and resolute people.
What impact has Everyday Brasil had and where do you see the project heading over the next few years?
I didn’t know which direction things would go in when we first started Everyday Brasil. Today, it has evolved into a project that is respected across the country – people write to us on a daily basis, keen on participating. At the same time, our aim of depicting an accurate and diverse social reality through photography seems to have been correctly understood, which wasn’t necessarily the case when we first started out.
We are growing but there is plenty of work to be done yet! We are of course very active on Instagram, but we’d like to have a stronger online presence and across other platforms. For instance, we would like to create an exhibition of some of our pictures later this year starting in São Paulo and spreading across the country as a national project. The eventual idea is for Everyday Brasil to become a reference point for photographs of Brazil. We would like people to think of Everyday Brasil when they think about travelling here. Similarly, we want to replicate Everyday Brasil in the form of a book or a magazine. We’d like to think outside the box, outside of Instagram.