Camera: Canon Eos 500 D
Shots through lava lamps, balloons.
These Vegas dragons rock Vega with a vengeance
Las Vegas-based band Imagine Dragons were in top form at a sold-out Store Vega last night. The indie group made a sleek entry to the sounds of crickets and pouring rain: tentative signs of an impending storm. Even before the show began, the young partisan crowd were enthusiastic and merry, cheering and stamping passionately in anticipation. Having been part of an insipid audience at British songbird’s Ellie Goulding’s show at the same venue last week, it was quite pleasant to be in more lively company this time around.
Armed with their usual guitar ensemble and a robust bass drum positioned at the front of the stage, Imagine Dragons hit the floor running, playing confidently in a near-perfect acoustic environment that had the elusive, inclusive feel of a concert in a large stadium. But several songs in, one could clearly feel the show slowing, the initial momentum waning – as it was inevitably destined to. A solid performance of marquee track ‘Hear me’ picked things up again, however, as the boys showed why they have been compared to revered bands such as The Killers and Arcade Fire.
The tipping point of the evening was always expected to be the moment that the band dropped their signature track ‘Radioactive’. And drop it they did, with an atomic vengeance – it was a cunningly constructed extended live version that thundered with bass echoes more common at dubstep raves than at a rock gig. An epic acoustic section towards the end of this tune, followed by a blizzard-esque finale that hissed, thumped and roared in a sea of smoke and strobe sequences, gave the fans everything that they’d come to the concert for in only a few minutes of brilliance.
‘Thirty lives’ followed, quietening the din somewhat and showcasing the band’s more sentimental, acoustic-based aspect, and inspiring the cliché flood of lighters and mobile phones in the air typical of particularly tender concert moments. By this point, the band had exhausted most of their popular tracks and simply proceeded to round things off by riding out the crest of the wave they’d created at the start. They rolled towards land with the verve and wit of a rock band with promise and talent up their sleeves. And their audience, young as they were, loved every second of it, so kudos are due to them too.
Camera: Canon Eos 500 D
Location: Le Panum studios, Valby: At its peak, this studio was a fortress of art and creativity, a modern-day miniscule factory, a la Andy Warhol (minus the drugs, divas, drama and controversy) The studio may open again this summer and if it does, expect quite a few exciting projects.
Goulding then took the stage at a packed-to-capacity Store Vega (the original concert had been moved from Lille Vega due to popular demand), backed by a trio of instrumentalists. Opening with tracks such as ‘Don’t say a word’ off her 2012 album Halcyon, the BBC Sound of 2010 winner got off to a slow, uninteresting start. Things got better though, as the popular ‘Hanging on’ track, also off the Halcyon album, shot a dose of fresh impetus into the evening. A particularly witty electric guitar solo at the end of this song is worth a mention.
As the night went on, Goulding ventured into melancholic, pensive moods, as tracks such as the ironic ‘Joy’ resonated through the still evening air. ‘Your Song’, her hotly pursued cover of the original by Elton John, and ‘Without your love’, a riveting rendition about resurgence after failures in love, managed to add some sparkle to an otherwise average performance. As Goulding herself playfully noted at different points in her performance, the audience were very quiet or, as she put it, “polite and well-mannered”. At one point she cheekily told someone off for yawning and generally didn’t seem too enthused playing to the Danish crowd, an audience that a fellow Brit, Mike Skinner of The Streets, has described as “one of the hardest to please”.
This notwithstanding, the show did have its memorable moments, particularly towards the end, as signature tunes such as ‘Starry eyed’ saved the day. A ravenous applause ensued at the end of it all, and Goulding took her time before coming on again for an encore to a late boomer of a crowd that had mysteriously conspired to save their passion for the end of the show. That things didn’t quite peak as they should have was no fault of Goulding’s, whose stellar soprano voice chirps with a winsome sophistication rich in originality and quick wit.
For I have dreamed, and danced, laughed, cried, laughed some more and dreamed again. Another day, another revolving frame.
I’ve watched the best fall from their crest, watched the moon rise from the fickle flames of the departing day.
I have seen the sharpest minds of my generation crumble and crash; melt away like sand pillars in the Sahara
I’ve seen fingers pointed, stones hurled, dictators ousted, oligarchs substituted.
I have hurt my mother the earth, harmed myself by spectating from the amphitheater of society. I have laughed and dreamed and danced on this spectacular stage turned molten by the state of crisis
watched the greedy get hungrier, seen the hungry starve and the opulent flourish.
Now, all that’s left are words and stanzas, paper frames, paper planes and the falling confetti shreds of dreams already danced, already departed.
I have been in Eden, partaken in its abundance
watched rogue elements wreak havoc on good people and come to the indefinite conclusion that there must be a reason why we are all still here.
For we shall dream, laugh, dance and cry another day, another departing hour.
Original written for The Copenhagen Post
Penny Police is a act that caused quite a few ripples across the Danish music scene when she first surfaced a few years ago. Those ripples have been spreading ever since, and bear the potential of developing into storm waves, if Penny’s ascendancy in the hallmarks of Danish music continues.
The Copenhagen Post caught up with Marie Fjelsted before her performance at Vega’s Ideal Bar last week, for a quick chat about her music, new E.P and where she is headed in 2013.
Amk: “What’s your music about, for all those who don’t know ?” “Why make music in the first place ?”
Penny: “I make music because i’ve got a lot going on inside of me. My music is an outlet for all the many thoughts and stuff that are sailing around my head”
Amk: “A way of sharing your thoughts perhaps ?”
Penny: “Sort of, it’s not as if I think, now I MUST tell everyone what’s going on – it’s more something that happens and my feelings are translated through music in a natural way.”
Amk: “Penny Police is an interesting stage name.” “Where does it come from and what does it mean ?”
Penny: “Penny is the pleasant aspect of the two P’s and Police is the harder, rougher dimension.” “It’s a duality that reflects who I am and what my music is all about”
Amk: What about your inspiration, where does that come from ?
Penny: “It’s all thoughts- thoughts that I have about different things; life for instance.” “It’s about what’s right for oneself.” “It’s so easy to say, “I should have done this or that or the other” so it’s important for me to constantly think about what it is that’s important for me.” “It is about finding ones balance, which of course is a never-ending process.” “Musically, there is lots of stuff that inspires me-the Norwegian Ane Brune is really cool, The Beatles- George Harrison, Paul McArtney and all of that lot as well- they’ve got some amazing melodies !”
Amk: “Your new E.P sink or sail has recently dropped. Tell us a bit about it”
Penny: “All the songs on it are about the lives of inner feelings.” “Whereas my previous productions were way more outgoing, sink or sail is a lot more melancholic.” “The songs emanate from thoughts that came out of situations where I couldn’t do anything else other than bury myself in a sofa in sadness.” “It’s about what springs to mind in such situations, about getting knocked down and getting up again.”
“Musically, it’s very ambient and there’s no autoharp on it.” “Some would say it’s art-pop, whereas my album from last year is more within the singer-songwriter niche and has more folk elements.”
I noticed that you grew up in Ribe, Denmark’s oldest city and culturally a place where lots happens. What was it like for you growing up there ?
Penny: “Ribe is a great town to grow up in !” “There’s lots of music, which affected me a lot.” “I attended a musical academy there and exploited all the opportunities I could such as performing in Ribe’s church and so on.” “It’s a small town with a big town feel because of all the cultural happenings that take place there , many of which I was happy to be a part of.”
Amk: “And how does Copenhagen live up to that ?”
Penny : “I’m happy to live in Copenhagen.” “It’s also a nice city.” “I couldn’t imagine myself living in Ribe in my youth, right now that is.”
Amk “So with your E.P on the shelves and several concerts on the calendar, what’s next for you this year ? “
Penny : “I’m writing songs for a new album. Some of them have already been written, some are still pending. It’s scheduled for a release in 2014.” “ I’m also talking to people in England and Germany about future musical projects.” “I’m also working closely with Barbara Moleko and we’ll be writing songs together for her new album.”