Feature: Roskilde Festival 2012

It’s late June and the summer looms temptingly over the horizon. The air around the town of Roskilde is heavy with the whiff of excitement, expectation and electricity as thousands of people make their way in small packs towards the annual Roskilde Festival, one of northern Europe’s largest cultural gatherings – so big, in fact, that it temporarily transforms the town into Denmark’s fifth-largest city.
For many, Roskilde Festival has become something of an annual pilgrimage, whilst for others, quite a few of whom are still in their teens, Roskilde 2012 will be the first time they participate in the phenomenon that they’ve heard so much about. Old and young, goth or dread, the festival seems to attract them all for ten crazy days of carnival-like escapades, catharsis and music.
At its simplest, the Roskilde Festival is a music festival that manages to attract numerous revered acts from Denmark and the rest of the world, year after year. Scratch beneath the surface though, and you’ll find that there’s a lot more to Roskilde than music alone. This is a festival of numerous facets and features that amalgamate to form the totality of the overall experience, which is no doubt different for each individual at the event.

One of the most talked about topics at the festival is the camping area and the multi-functional purpose it serves as both a temporary shelter and wild party location. Finding a desirable place to pitch camp, and fighting off others with the same intentions, is one of the most important phases of the Roskilde Festival experience – something that’s easier said than done.

To their great credit, the festival organisers have tried to ensure that the race for a camp is as fair as possible by implementing an official opening time before which it is virtually impossible to enter the festival grounds. The new entry system, introduced only last year, has done away with the long-standing tradition of fence-breaking practiced by many festival-goers in previous years. All the same, finding a suitable camp location remains a race, if not a lottery, which is won by only the fittest and slyest ‘runners’, whose job it is to seek out desired camp locations for the rest of those attending with them.
Once the camps have been pitched, those not involved in the queuing-up and camp race usually turn up with the bulky baggage and camp gear and proceed to turn what was once a field with green grass into a makeshift humble abode. Many camps are equipped with bare necessities such as a pavilion tent and a sound system of some sort, whilst others are more elaborate, featuring everything from inflated sex dolls to mini jacuzzis and crates of pricey champagne.
The Copenhagen Post team rolled up at Roskilde and have been partying it up at different locations around the camping grounds since Saturday. We also had a chat with a handful of the many guests in an effort to discover what they like best about the festival. Read on for the best of the action so far:
Euro 2012 final: Sunday night at the big screen by the park Skate in West
Skater or not, the park Skate near the West end of the festival camping grounds has traditionally been one of the coolest zones to hang out. Footy fans got treated to Spain’s 4-0 drubbing of Italy in the Euro 2012 final, courtesy of a large screen placed high above the half-pipes and bowls.
Fancy Dress Flashmob: Monday afternoon, Camping Area K by the lake 
Imagine donning your best suit, downing several Carlsbergs and then taking a dip, with the coolest sophistication and calmness, in Roskilde’s swimming lake. The scene was no figment of the imagination on Monday afternoon, as one smartly-clad partisan after another shattered conformity and took to the water in tuxedos and ballroom dresses. The action even featured an orchestra who strummed out Mozart and Beethoven to complete the atmosphere. No instruments were harmed during the process. There were plenty of ruined tuxedos though.
Raske Penge: Sunday evening at  Pavilion Junior 
Raske Penge, Eaggerstun and Shaka Loveless are three artists whose music is getting the most airplay in the camping areas. Nørrebro-based Raske Penge gave Roskilde’s guests an enticing preview of what to expect from the rest of the festival with a formidable performance at Pavilion Junior, an arena that has played host to numerous Danish bands in their infancy. With Pavilion Junior crammed to the brim on Monday, it’s safe to say Raske Penge could easily have filled one of Roskilde’s bigger stages.
Dream City: Camping Area P 
Dream City is a sustainable approach to camping at the Roskilde Festival, allowing campers to design themselves a home of sorts with their neighbouring camps. Coupled with a wellness centre and a strict tidy-up after yourself policy, Dream City seems to be a very fun, user-driven initiative, which, combined with the other themed camping areas (Swim City, Poor City, Art City, Green City, Street City and Game City), makes for an interesting additional component to this year’s event.

The Colour of Pain

If you cut me, won’t I bleed

And won’t my blood be red, just like yours

Not black, not brown, not white but red, as blood should be

If you twist my heart will it not crumble

And when it does will my soul not quiver

will it not explode in ten thousand deft shades

If you hurt me will I not cry

And won’t my tears be pure and crystalline

Not black, not brown not white but transparent as tears should be

If you hit me will I not feel pain

And won’t this pain be a colourless pain

Not black, not brown not white but blunt and bare as pain always is

Tim Christensen & Friends, Store Vega (June 2012)

**** (4 stars out of 6); June 18 at Store Vega
Ex-Beatle Paul McCartney caused some major disappointment earlier this month with the postponement of two highly anticipated concerts in Horsens, previously scheduled for the end of June.  This minor hiccup did not stop McCartney’s fan base in Copenhagen from celebrating his 70th birthday on Monday night with a close-to-packed McCartney tribute concert at Store Vega.
Ex Dizzy Mizzy Lizzy co-founder Tim Christensen and his backing band The Damn Crystals were on hand to provide the evening’s entertainment, playing songs predominantly off McCartney’s first album Ram, alongside many of Christensen’s own numbers. The evening turned out to be a jovial fest that attracted the young and the old alike: from grey-haired grannies that were taken back to pleasant memories of the peak of their youth to curious teenagers who flocked to the front of the concert to get as close to the stage as they possibly could.
Christensen and pals didn’t put a foot wrong from start to finish, playing with passion and cool sophistication in what many will remember as a very accessible and easy-to-follow concert.  The band toyed and tinkered with numerous instruments as they rattled out one lively track after another, much to the delight of the partisan crowd, who rallied and raved to timeless classics such as  ‘Live and Let Die’.
Christensen himself was at his charismatic best, beaming with the sort of smile that suggested that he probably enjoyed the concert more than anybody else at the show.
And whilst at times things did sound a bit like a well-timed ensemble of Guitar Hero songs, at others Tim Christensen and the Damn Crystals were both endearing and entertaining to all those present. With Roskilde Festival looming over the near horizon, one would have expected less of a showing, particularly on a Monday night.
The amount of people present and their response to the evening’s entertainment truly proves that Denmark hasn’t forgotten Paul McCartney, decades on from his heyday.

Distortion Festival Highlights, Copenhagen (June 2012)

A look at the musical highlights of Distortion 2012

Four days after it all started, Copenhagen’s craziest cavalcade came to an abrupt end. Those who partook in the proceedings will no doubt have plenty of smiles and positive recollections that they will be talking about for a while to come. Here’s a quick glance through the rear view mirror at some of the best moments of Distortion 2012.
Pete Tong at Vor Frue Plads,Wednesday, May 30
One of the grand old men of electronic music, the pioneer of Radio One’s Essential Mix, Pete Tong sprung a surprise at this year’s festival when it was announced that he’d be playing at Vor Frue Plads a mere three days before his appearance. Lulu Rouge and Rune RK were on the warm-up duties but ultimately the show was all about Pete. To say that his performance was epic would be a gross understatement.
Anders Trentemøller in Nørrebro, Thursday May 31
Anders Trentemøller has the rare privilege of being Denmark’s best DJs whilst simultaneously being rather anonymous in Copenhagen.  One may well have easily walked by him playing a laissez-faire set in the heart of Nørrebro on Thursday; a rare blend of electronica laced with occasional outbursts of rock and indie. This was all before his more publicised show at the skate park the day after, which was no less than anyone would have expected.
Mike Skinner at Lastbilscenen, Friday June 1
Brummie Mike Skinner, a man who has managed to shine in his performances in Denmark year after year, was on hand to chase away the rain on Friday night. Performing to a mix of hefty dubstep and drum ‘n’ bass, Skinner was at his usual best and not even a heavy downpour could deter the crowd from turning out in the hundreds.
Distortion Rave S-train, Friday June 1
Imagine an S-train packed to the brim with a horde of merrymakers all bouncing to the sound of heavy beats and blazing bass lines. Distortion’s cherry on the cake this year was one such-like concoction, a circus that ended up being taken over by a marching band who decided they’d waltz in on Mike Sheridan’s set and steal the show.

Issac Delgado, Store Vega (May 2012)

Cuban salsa sensation Issac Delgado added a Carnivalesque touch to Vega’s May lineup with a formidable concert at Stor Vega on Friday evening. Delgado, or El Chevere, as he is often called was in a flamboyant mood, backed by his multi-piece orchestra who performed with flair, passion and creativity throughout the lengthy concert. In spite of the ongoing Carnival and Vesterbro Festival, Friday’s show managed to attract quite a decent showing even though it wasn’t sold out.

Danish salsa enthusiast, Stine Ortvald warmed up the venue with a troupe of engaged salsa dancers who did their bit to get the ball rolling, dancing to a rhythmic, pacey mix that got the crowd on their toes. Delgado and his orchestra casually stepped onto the scene a bit later than they’d been scheduled to go on and started the show with several tunes that didn’t really manage to get people dancing. In fact, several songs in, and most of the crowd was still static and unenthused.

Things did heat up however, as Delgado himself became more engaged with the crowd, who responded commendably, as people unleashed the salsa moves they’d been saving all night. Standing in the middle of a Salsa concert’s equivalent of a mosh pit was a unique and interesting experience; a maze of spins, swaps and swift, well-timed movements in tune with the rich percussive elements of the music on stage.

There were smiles and pleasant exchanges all around, as the concert geared up, peaking as a lively if not chaotic ensemble punctuated by epic instrumental moments here and there .In many ways the scene resembled downtown Havana; a warm cocktail of emotions, colours and laughs; people of all ages and of all ethnicities bound together under the banner of rhythmic salsa music.

This reviewer was particularly impressed by a spine-tingling piano solo midway through the performance and a sensational trumpet equivalent towards the end, both of which cemented the foundations of what was a very lively and engaging show at Vega.

Even in spite of the fact that the concert started late and that it took time to climax, credit must be given to Delgado and his orchestra for delivering a steamy concert that managed to create a wonderful sense of collectiveness, a show that salsa enthusiasts will no doubt hold in high regard for quite some time to come.

The Saga of The Mist

The saga of the mist

Finds me awake and alert 
A stranger on the shifty seashore 
A flower on the wall of time
 
Life is visceral for its earnest practitioners 
And here we stand 
Mad to live, mad to lie, mad to die 
Every second ticking away like steps of eternity 
 
Greenwood has long since been destroyed 
Desolation row revoked and rescinded 
The gates of doom opened for the bridal march 
Materialists, consumers, whirlpool degenerates 
 
We’re a marching band of highland lambs 
Led by innocence, led by the astute
Pray, where does this cookie trail lead 
but to Hansel, Gretel and the saints of old ? 
 

Tako Lako, Lille Vega (May 2012)

***** (5 stars out of 6); May 11 at Lille Vega

Balkan music is often uncouth and rough around the edges, but it’s ultimately a music genre that’s licensed to thrill, every time.  The big news in town on Friday evening was that the kings of the Balkan scene, Brooklyn-based group Balkan Beat Box, were performing at Pumpehuset in what must have been an epic show.
Yet Denmark’s own Balkan favourites, cult heroes Tako Lako, were also stealing their share of the headlines at the same time, playing to a sold-out Lille Vega in a concert that proved why MTV has declared them as one of Denmark’s potentially biggest stars.
Tako Lako have had the honour of performing at both Glastonbury and Roskilde Festival, and with their debut album, Through The Mud,  set to drop in August, one can only expect bigger and better things from them this year.
Led by charismatic lead vocalist Ognjen Curcic, they took to the stage before a salivating crowd and immediately got into a party mood, primarily playing songs off their 2009 EP,Kickstart.  It’s always nice to see a band that enjoy themselves on stage, without really making a concerted effort to do so.
This was certainly true of Tako Lako, who were having an absolute ball on Friday night, bursting with energy and enthusiasm that spread rather contagiously to the audience.
An interesting twist to the concert was the brief appearance of three-time Danish MC fight night master Pede B towards the end. The combination of raw hip-hop and raunchy Balkan, though only for a handful of songs, went down very well with the audience, who were responsive and cheery throughout the show. Turntablist genius DJ Noize, was also on hand to spark things up with his mixing skills, adding yet another dimension to Tako Lako’s psychedelic gypsy beats universe.
Though Tako Lako only played for a brief hour, it is clear that this a band with immense potential and plenty of accessibility. Their Balkan-infused tracks draw from a wide range of underground influences, and their on-stage collaborations with all manner of musicians from other disciplines gives them an edge over many bands at the moment.
If Friday’s concert is anything to go by, Tako Lako may well and truly be one of the best bands in Denmark at the moment.

Charles Bradley, Lille Vega (May 2012)

***** (5 stars out of 6); April 29 at Lille Vega

No tears this time, but plenty of soul (Photo: Jonas Bang / bangphotos.dk)
When Charles Bradley stepped off the scene at last year’s Roskilde Festival, those present knew they’d just borne witness to something legendary. ‘The Screaming Eagle of Soul’, as he is commonly referred to, had put on a smashing show that featured him breaking down in tears, as he has been known to do every now and again at his shows. The concert went on to be declared one of the best of the festival by much of the national press.
While Bradley didn’t burst into tears on his return to Denmark at Lille Vega on Sunday, he did, however, give the audience a memorable experience that explains why so many herald him as the James Brown of our time.
Bradley’s backing band, The Extraordinaires, got things going with a trio of feisty, anthemic non-vocal tunes that sounded like they’d been ripped straight out of Gordon Park’s epic 1971 film, Shaft. Bradley stepped onto the stage amidst a rapturous applause and already two songs into the proceedings was sending ripples down the audience’s spines as songs off his only album No Time For Dreaming created something of a frenzy.
The first part of the show featured more sentimental tunes such as the powerful ‘The World (Is Going Up in Flames)’ before a short instrumental interlude allowed Bradley to drift off stage to catch his breath.  He came back guns a-blazing with a cover of Neil Young’s ‘Heart of Gold’, followed by a series of songs that allowed him to showcase his arsenal of dance moves and rant about the state of modern-day America.
It’s not every day that one sees someone in their 60s do splits on stage, let alone sing with the power, prowess and sheer emotion that Bradley manages at his shows.  The man is a living marvel and an inspiration to anyone out there who thinks it’s too late to do anything, having released his only studio album last year at the age of 62.
Bradley gave the audience at Vega on Sunday a show that they’ will be thinking about for a while and one can only expect even greater things from the Florida-born Screaming Eagle of Soul, a man who sings with the evocative flair of Otis Reading and has got a dance-move repertoire equatable to that of James Brown.

I shall run again one day

I shall run again one day I am sure
When, I do not know
How, I cannot tell
Why, Is not for me to judge
I shall fly again one day I am sure
Into the wispy winds of time
Towards eternity and the savannah sun
Towards a smile, a laugh, an embrace
I shall dream again another day
And carve you a sunset that will make you smile
A golden dawn that will kiss you from your sleep
An evening wind that will cool your eyes
I shall live again another day
Along the open road ever ahead of me
Vast, vague but always ahead
Your hand in mine, nomads in the sands of time

Michael Kiwanuka, Lille Vega (April 2012)

**** (4 stars out of 6); April 27 at Lille Vega

I first heard of Michael Kiwanuka late last year when he appeared on Jools Holland’s  show, performing a mellow version of ‘Tell Me A Tale’, the first track off his only studio album.  What struck me more than anything else about the London-born musician was the sheer weight and power of his voice, which led me to draw immediate comparisons with ‘60s sensation Otis Reading.
Kiwanuka has come a long way since that performance, winning the prestigious BBC Sound of 2012 award earlier this year on the basis of a solitary album, the highly-hyped Home Again, joining the likes of Adele, Ellie Goulding and Mika, all of whom have previously won the award. His debut on Danish soil on Friday night was a show to remember, an experience that makes it easy to see why he is so highly revered within music circles at the moment.
Kiwanuka and his backing band stepped cooly and confidently onto the stage at Lille Vega on Friday, opening the proceedings with several mellifluous tracks off Home Again. His vocals are well and truly the stuff of legend and blended seamlessly with his toned-down instrumentation, which amplified his stage presence in the traditional singer-songwriter fashion. Conversely, more dance-friendly grooves, such as the jazzy ‘Bones’,  featured a lot more instrumentation and a lot less of Kiwanuka’s poignant, slow-paced vocals, giving more of a Friday-night feel to things.
What followed was an intense blend of compelling, emotional moments for the better part of the show, punctuated by breaks of soulful brilliance.
Whilst songs off Home Again were pretty much the order of the day, Kiwanuka did do a Jimi Hendrix cover towards the end of the show, citing him as one of his boyhood inspirations.
As expected, the highlight of Friday night’s entertainment came right before the close of the proceedings, as Kiwanuka performed ‘Home Again’, the eponymous single off his album that has captured the hearts and souls of many music lovers the world over.
This track alone is a sheer revelation, though Friday’s show proved that there’s a lot more to Michael Kiwanuka. This is a young man with tremendous potential, endearing humility and a very bright future. His best work is surely still to come and one can only look forward to his future releases.