The best concerts of Roskilde Festival 2016

Befitting the diversity of the line-up, there are precious few overlaps in our three writers’ picks for the best concerts at this year’s Roskilde Festival. Performances from all six stages and on all four of the festival’s main musical days made the cut.
From legendary acts to Colombian experimental rock and UK grime – and just about everything in between – here are our selections for the best performances.
Justin Cremer’s top five picks
1. Neil Young + Promise of the Real (Orange, Friday)
From the opening keys of ‘After the Gold Rush’ through the 30-minute extended jam encore performance of ‘Love and Only Love’, Neil Young put on a commanding, thunderous performance. Mixing old favourites like ‘Alabama’, ‘Words’ and ‘Unknown Legend’ with newer tracks like ‘Mother Earth’, Young and his excellent backing band Promise of the Real put on a show that was quite possibly the best I’ve witnessed on the legendary Orange stage.
2. Kvelertak (Avalon, Thursday)
There were an estimated 7,000 Norwegians at this year’s festival and at times during this Stavanger band’s wild and raucous late night set, it felt like I was surrounded by all of them. This was without a doubt the highest energy interaction between band and audience that I had the pleasure of being a part of.
3. Savages (Avalon, Thursday)
When I saw Savages play the Pavillion stage in 2013, it was one of that year’s most pleasant surprises. Three years later and on the larger Avalon stage, the London-based quartet blew me away again with their mix of attitude, sexiness and intensity.
4. Sleep (Avalon, Wednesday)
The midnight set from doom pioneers Sleep was near the top of my list going into Roskilde, and it certainly did not disappoint. This was an absolutely hypnotizing set that provided the perfect ending to the festival’s opening night.
5. Gojira (Arena, Saturday)
I had heard good things about this French prog/technical metal band’s live performances for years and now I know why. Even though the band apologized several times for being a bit “rusty”, their Saturday evening set was a blistering display of tight musicianship and crunching grooves. The band might not have felt like they had delivered their best, but for me Gojira lived up to the hype.
Chris Manion’s top five picks:
1. Sleep (Avalon, Wednesday)
I sceptically joined a group to see the band Sleep with no prior knowledge of them or ‘stoner doom metal’. As soon as we were about 50 metres from the show, I could sense perfect harmony between the music and the audience. It was this symbiotic relationship that some artists simply failed to capture in the same enigmatic style. The music was expressing a shared feeling, a collectiveness, and that is what Roskilde Festival is essentially about, being together for the love of music.
2. Neil Young + Promise of the Real (Orange, Friday)
The 70-year-old Canadian legend delivered a breathtakingly energetic performance. The show progressed from heartfelt renderings of classics such as ‘Heart of Gold’ to a full throttle rock’n’roll experience like no other.
3. MØ (Orange, Saturday)
The Danish international star came to the Orange stage on the final evening of Roskilde 2016. There were many festival-goers looking defeated and deflated, a tough crowd to bring alive. As soon as MØ came to the stage, it all changed. She brought a passion and energy that could not be topped by many other artists in the world.
4. Courtney Barnett (Avalon, Thursday)
A first-time Roskilde Festival experience for the young Australian singer-songwriter and she did not disappoint. She gave festival-goers a powerfully sincere performance. Many times throughout the show, you could see that this was still a 28-year-old playing songs that openly confess her deepest fears and regrets. That humility gave the performance a beautifully personal touch.
5. Mac DeMarco (Arena, Friday)
The cheeky Canadian up-and-coming star strutted on the stage with unabashed confidence, and then looked at the audience like a naughty schoolboy and gave his famous gap toothed smile. From then on, it was a fun, energetic and charismatic performance.
Allan Mutuku-Kortbæk’s top five picks
1. House of Pain (Orange, Thursday)
The guys that brought us the legendary ’Jump Around’ tune rocked the Orange stage to its core during their Thursday afternoon performance. Who would have thought that a hip-hop mainstay such as this would play Johnny Cash’s ’Walk The Line’ in their set?  Schoolboy Q and Young Thug should take notes from these OGs.
2. Tame Impala (Arena, Friday)
Australians Tame Impala are a class act and have grown in presence and stature since their previous appearance at Roskilde a few years ago. Backing their performance with an impeccable light show and a ton of confetti, they were simply insurmountable on the Arena stage.
3. Los Pirañas (Gloria, Saturday)
Colombia’s Los Pirañas churned out an endearing stream of psychedelic rock fused with South American influences that blew the roof off the intimate Gloria stage. Hats off to the stage crew for outfitting the stage with an epic light show to match an assured performance.
4. Tenacious D (Orange, Thursday)
Honestly, I’m not a Jack Black fan and even after his momentous performance at Orange, I still have my doubts about the man’s sanity. Credit is due to him, however, for providing a fun and at times mesmerising show amidst the rain. Where others would have stumbled, Tenacious D were sure-footed, weird and even wonderful.
5. Elf Kid (Apollo, Saturday)
Grime’s renaissance was reflected in Roskilde’s bookings this year. Of those on the billing, South London’s Elf Kid was, for me, the most impressive of the lot. Backed by his DJ, the kid spat out one lyric after another before getting bare-chested in the early Saturday afternoon chill, encouraging everyone to banish their hangovers to mere memory.

The Year in Review: Best Concerts of 2013, Denmark

The Year in Review: The top 10 gigs of 2013 in Denmark 

1) Sigur Ros, Roskilde Festival, July 6

I didn’t see Sigur Ros, I experienced Sigur Ros. The Icelander’s music is some of the purest, soul-searching music you will find for miles around; a trance-like journey that rekindles deep-hidden fond memories with an edifying caress that no other band can muster. Sigur Ros were shamanic at their show at Roskilde.

2) Charles Bradley & his extraordinaires, Lille Vega, June 17

The Screaming Eagle of Soul rocked Denmark to its core on his encore at Lille Vega this year. For a man in his sixties who only just rocketed to fame, Bradley’s teary, nervy, sweaty, emotional soul trip is the story of a man who made it in America, after decades of bad luck and strife. James Brown would be proud.

3) Crystal Castles, Store Vega, March 2

Crystal Castles pulled off a seismic show at Store Vega towards the end of the winter, a chaotic, cathartic experience that saw lead singer Alice Glass crowd surf her way to what looked like the middle of the audience at Store Vega. I have never seen anything like it before or since

4) Modeselektor, Store Vega, Feb 14

Berlin’s Modeselektor have been making music since the wall came down a good while ago. As driven today as they were back then, the electronic duo are a symbol of the German capital and frontrunners in the world of electronic music. Props for their party-starting credentials and props to Vega for a very well organised show (which included an ‘artist chat’ session in ideal bar).

  1. Chinese Man, Roskilde Festival, July 4

French turntablists Chinese man were on cue at their show at Roskilde Festival, taking the audience on a journey through dubstep, drum & bass, hip hop and everything in between with a prowess that made it seem as if the genre of turntablism has been around since the dawn of time. Witty, daring and exceedingly cool.

BEST OF THE REST

  1. Shantel & The Bucovina Orchestra, Lille Vega, Nov 28

  2. Reptile Youth, Lille Vega, March 8,

  3. Of Monsters and Men, Roskilde Festival, July 5

  4. Tame Impala, Store Vega, Aug 9

  5. Animal Collective, Roskilde Festival, July 4

Tame Impala, Stor Vega August 2013

Stor Vega 5 out 6 stars

Australian psychedelic dream rockers Tame Impala were on top form at their concert at Stor Vega last night. The Perth-based band are known for their eccentric forays into the hazy territory of psychedelic rock music, and having seen them perform last night, I can safely assert that this is one band that sounds just as good, if not better, live, a rarity in the modern day music climate.

Tame Impala went on stage to a sold-out, sweaty Stor Vega, under a backdrop of trippy visuals criss-crossing the stage in the shades of numerous colours. Guided by talismanic lead singer Kevin Parker, who went on stage barefoot, Tame Impala looked comfortable and at ease from the start, playing with a gentle, assured nature that enchanted more than it entertained. Signature track ‘Elephant’ was one of the first of many anthemic tunes of the evening, a night that traverssed elements of contemplative, dreamy content and jovial, unaccented moments alike.

Smooth transitions in between songs, particularly at the beginning of the show added a tinge of sophistication to the performance, which took on the feel of a live set rather than an incongruous mish-mash of songs strung flimsily together for the hell of it, as is the case with many concerts today. Further credit is due to frontman Kevin Parker, whose outside-the-box musicianship saw him use effect pedals connected to his guitar to good effect; creating symphony-esque layers of complex musical arrangements that danced harmoniously together, each verse adding a new dimension into the complex equation.

Adding to the experimental feel to things, the Australian quintet turned their backs on the audience midway through the show and strummed in synchrony with live visuals that were mimicking their quirky guitar plucks, gracefully slapping yet another touch of finesse to their performance.

Capping things off was one of the best stage exits i’ve seen; Tame Impala went off stage to the sound of a hollow drone vibrating in the background, before one of the band members came back with a torch, amidst wolf-like howls and encouragement from an audience that had hitherto been drab and boring (so kudos must be given to the one person brave enough to hold a lighter in the air during the show.)

One long encore later and Tame Impala left as they had came, exiting humbly, with the class and confidence of musicians comfortable in their element, flag bearers of the modern psychedelic rock movement.