Shantel & The Bucovina Orchestra, Lille Vega, November 2013

If Balkan Beat is your fancy then Lille Vega was a pilgrim’s temple on Wednesday, set alight by Shantel and the Bucovina Orchestra. Though the show did not sell out, the crowd that showed up was a very enthusiastic bunch, hyped-up from the word go and loud to the very end, somewhat of a marvel considering the concert’s midweek placement.

The Bucovina Orchestra is one of the exciting projects of German DJ and producer Shantel. Many are familiar with their jolly, uptempo Balkan sounds that awaken memories of the film Borat. A boundary breaker from the  techno stronghold of Frankfurt, Shantel draws from the likes of Balkan greats such as Fanfare Ciocarla and Goran Begovic himself and is no stranger to these parts, having performed at the very same venue just over a year ago.

Chaotic at times, Shantel and the Bucovina Orchestra deliver pure party msuic, played with the intent of causing a riot.  Wednesday’s midweek shenanigans at Lille Vega were no different.

After a slow start by their own standards, Shantel & co kicked into gear midway through the proceedings, as signature track ‘Disko Partizani’ rang out to a raucous response. This was followed by a neat ream of back-to back brass-laden tunes that saw T-shirts flung with reckless aplomb as the crowd rekindled memories of Roskilde Festival’s mosh pit moments.

With the night coming to a close, merry, anthemic songs such as the comical ‘Citizen of Planet Paprika’ and the well-known ‘Bucovina’ were but two peaks in a series of late-show antics that worked the crowd into a frenzy. The highlight of this was the entire audience squatting and kneeling on two occasions before flinging themselves upwards for particularly epic chorus moments. In fact, having gone off stage, Shantel & Co were cheered back for an encore from a kneeling crowd that may well have been in downtown Belgrade as opposed to Vesterbro.

Six or so songs later and it was all over after one last wave of bombastic action wrung the crowd into a final furore. Whilst the long encore was a novel move, it did drag on towards the end, way beyond the climax of it all.

With winter closing in, more Balkan action at Vega can be found in the form of Gogol Bordello’s concert on December 6, which promises to be even more enthralling that Wednesday’s show was.

Seasick Steve, Store Vega, October 2013

Seasick Steve’s path to the success he today enjoys as a Norway-based musician has been no walk in the park. Having run away from a disturbed military father at the tender age of 14, Steve, originally from California, spent many years on the road as a hobo before eventually settling in Scandinavia.  With no musical education whatsoever and an array of self-constructed crude instruments, Steve redefines what it is to be a musician in today’s era of glam-drunk superstardom – and his live shows are, as yesterday’s concert at Vega attests; as genuine a performance as you’ll find for miles around and years to come.

Walking calmly onto the stage clad in a John Deere tractor hat and worn jeans, Steve introduced the crowd to his signature blues rock sound, strumming passionately on his guitar to the tune of ‘Self sufficient man’ off his 2013 album Hubcap Sound.  He was then joined by his drummer, Dan Magnusson, sporting a t-shirt emblazoned with a poetic ‘Go to hell stoned’ print in bold text on its front. This was followed by Steve’s wandering into the crowd and pulling a girl on stage, to whom he then sang the slow, acoustic track ‘Walking Man’, much to the envy of every lady in the house.

Having established a firm bond with the audience, Steve and drummer Magnusson got better and better as the concert rolled on, with Steve experimenting with his array of crude, homemade instruments, which amongst others included a one-string diddley bo that sounded remarkably refined, for an object fashioned of a wood plank with aluminum cans on one end. Cultivating this ad hoc approach to musicianship, Steve and Magnusson wooed the audience time and again, combining seamlessly together to produce a primitive, bellowing blues sound that had a pronounced effect on the crowd, who were extraordinarily responsive. This was particularly evident towards the end of the show, which featured drummer Magnusson improvising by sweeping a broom back and forth on the stage, giving off a whispered whistling hiss, not too unlike that made by a conventional shaker.

Buoyed by the eager crowd, Steve rounded off the show by singing what seemed to be an improvised short version of the tale of his running away as a teenager, a rendition that drove him to the depths of his emotions. A double encore and a rousing applause at the end of his show said all that needed to be said about the concert of this wandering boheme-turned-rockstar, who has repeatedly broken and redefined the nous of musicianship.

Lucy Love, Store Vega. October 2013

When grime rapper Lucy Love first got her game in gear back in 2009, many heralded the arrival of a very unique performer on the local music scene. Packing a solid punch with her vicious lyrics and stern voice, the Zambian-born and Danish-bred Lucy Siame rapidly evolved into a force to reckon with. Fast forward a few years and Lucy’s third studio album, Desperate Days of Dynamite, is wreaking havoc on the streets, having dropped in September.

Saturday’s show at Store Vega was a representation of the album, in itself a dreamy reflection of Lucy’s turbulent persona and the changes she’s been through since her initial success a few years ago.

Playing the eerie, ‘No Scream No Shout’ track off her latest album, Lucy’s stage setup resembled a dystopian world with colourful characters sporting wild, flamboyant haircuts and cult-like body paint. This anthemic tune of rebellion could not have contextualised the concert setting any better: bathed in rows of brilliant blue and raging red that coated the scene in a thick pyrotechnic cumulus cloud, Lucy announced her return to the scene with a searing vengeance that echoed heavily into the night.

Clad in dark clothing that cast a Grace Jones-esque ambiance upon the scene, Lucy Love and her troupe of dancers and backing band were a sight to behold.

The popular tune ‘Prison’ was the second of the evening, featuring the more pop-inclined direction thatDesperate Days of Dynamite has taken. But the best of the ‘old’ Lucy Love was still alive, as proven by tracks such as ‘Daddy was a Deejay’ (which was played both at the beginning of the set and towards the end).

Midway through the proceedings, a dedication to one of the crowd who was enjoying his wedding night clad as a storm trooper spiced things up a bit, adding a comical twist to the evening. This was followed by the spine-tingling ‘F4E’ (‘Friends Forever’, which cast a dark shadow of contemplative, doubting moods that countered the more driven sounds of the performance, whilst epitomizing the deeply sentimental qualities of Lucy’s music.

The end of the show featured songs with rapid arrangements, some of which ventured into the territory of the drum ‘n’ bass genre, which features sporadically in numerous short bursts across different sections of her latest work.

Though some of Lucy Love’s originality has been lost to more pop-induced sounds, she remains a unique artist, one capable of putting on a captivating, creative and highly artistic live show, as Saturday’s performance proved

French Films, Ideal Bar, September 2013

Welcome to the 21st century of globalisation and cultural fusions, where a Finnish band by the name of French Films can perform songs loosely rooted in classical American pop influences that shudder with clangs of the Beach Boys and The Ramones in central Copenhagen.

French Films marked their return to Danish soil last night following their widely popularised outing at Roskilde’s Pavillion junior stage last year, and what a return it was. Clad in skinny jeans and leather jackets that echoed the sartorial traits of bands such as The Libertines, the Finnish quintet stepped on stage looking blasé and calm, following solid warm-up work by local band The New Investors. The compact confines of Vega’s Ideal Bar allowed the audience to get very close to the stage, rekindling memories of one of the summer’s most promising festivals, Henry’s Dream, where a band with an orientation like French Films would be right at home.

The boys from Helsinki were quick off the mark, getting straight to business with a hot-to-trot opener followed by ‘Take you with me’ off their debut EP, 2010’s The Golden Sea.  Lengthening the proceedings,  songs such as ‘Ridin’ on’ off 2013’s marquee album White Orchid added form and substance to what was ultimately a very intimate concert that had sweat dripping off the walls of a sweltering Ideal Bar.

Invariably, the distinct indie pop renditions of French Films do tend to sound rather repetitive after some time, as one feels lost in the thick mass of strums and heavily percussive melodies. In spite of this, the concert did seem to grow in stature and depth, as the musicians used the full width of the stage to perform with a tremendous amount of energy and free spiritedness.

By the end of the show, many of the evening’s guests found their feet and torsos swaying from side to side in sync with the rhythmic instrumentals, backed by vocal patterns that sent wave upon wave of sun-drenched summer memories into the cold September night.

French Film’s musicianship is a joy to watch, and their sheer energy on stage is a tremendous compliment to their rich, absorbing take on rock. Far too adroit to be playing at Ideal Bar, expect bigger and brighter things from them in 2013 and an almost certain graduation to bigger concert venues for their next visit to Denmark.

Music Listings, Copenhagen Late August 2013

Music listings, August 30th- September 5th

CocoRosie: If you’re one of the many nostalgics who long for Roskilde festival-esque experiences, or anything remotely similar from the second you leave the festival grounds every June, CocoRosie’s concert at Vega on the 3rd of September may well be the last such moment of the year. The American sisters sound like a user-friendly version of Icelandic standout Bjørk, albeit with far more indie influences demarcating their identity. CocoRosie are the sort of band that you’d hear shattering the silence of a dark European forest at the peak of summer. You’ll have to make do with experiencing them at Store Vega this time round, though their introspective sound will give your imagination plenty of leeway to run wild.

CocoRosie: Store Vega / 3rd September . 250 DKK

Lulu Rouge / Djuna Barnes : Lulu Rouge is one of the most well-known faces on the Danish deejay circuit, within which, along with the likes of Trentemøller and Mike Sheridan, he’s managed to carve a niche out for himself. A headliner at the annual Stella Polaris chillout festival, Lulu Rouge will most likely venture into a more dance-inducing setlist than his festival forays. He’ll be backed by one of Vesterbro’s most revered personalities, Djuna Barnes, who is no stranger to the world of deejaying and electronic music herself. Los Angeles based Awesome Tapes of Africa will be adding a tribal element to the proceedings with their funky, ritual-like sounds, making for quite a good mix of genres on the evening.

Lulu Rouge / Djuna Barnes / Awesome Tapes From Africa : Rust. 30th August. 60 DKK

Signe Eeg: Signe Eeg’s music is the sort of thing you’d listen to on a Monday night after work. Her soothing voice is as calming as it is captivating, softly flanked by gentle piano accompaniments and the occasional flutter of contrabass. She’ll be performing at the bastion of all things jazz in this city, Monmatre, in a Matinee concert that’ll sooth you softly into September on the 1st of the month. Signe will also perform the evening before, if a Sunday afternoon of jazz is not to your taste.

Signe Eeg quartet, Jazzhus Monmatre, 31st Augustt (20:00) and 1st September (Matinee / 15.00) 375 DKK

Alain Apoloo / The Juke Joint / Modjo’s Blues Bar : Modjo’s Blues Bar is practically the only place that’s worth going to on a Monday night in this city (that is unless you’re into chanting karaoke and getting sloshed with tourists at Sam’s bar). Alain Apoloo may well one of the best guitarists Copenhagen has ever seen, and many in musical circuits wonder why he’s not signed to a major American music label touring the world. Luckily for Copenhagen, his feisty guitar-plucking and cocky vocal skills can still be heard every Monday at the Juke Joint, where many other underground talents strut their stuff in the open jam session.

Alain Apollo: Modjo’s Blues Bar, 2nd September : 20:00 / FREE

Katolysik / Jazzhouse, 30th August 60 DKK

A bit of a wildcard this one. If you’re into spoken word, Katolysik are a dynamic duo who combine poetry (some freestyle) with a guitar and effects pedal. Their lyrical themes seem to capture the imagination of the Danish zeitgeist quite well, hence their popularity. There are also few other rivals in the spoken word category of music in the city, so expect a unique experience but do brush up on your Danish, as some of it can be a bit hard to understand for the untrained ear.

Tina Dickow / Tivoli, 30th August. 95 DKK

Few Danish singers can compete with Tina Dickow at the moment. In fact, if you’re one of those in search of high quality “local” music, look no further. The Århus-born Dickow has gained popularity both locally and abroad for her adventurous forays into the world of the singer-songwriter, producing her music through an independent label. Tivoli is a great place to see her whilst there’s still a slight chance of sun and good weather.

Tina Dicow_ http://www.backseatseattle.com

Twista / Pumpehuset, 31st August. 180 DKK

A couple of years ago, Pumpehuset was headed for bankruptcy and catastrophe therein. Fast forward and the hard work of getting the venue back on its feet is paying off, with many quality bookings being made at the moment to restore the venue’s profile. Twista holds the coveted accolade of being the world’s fastest rapper, capable of “spitting” a bewildering 598 characters in 55 seconds according to the Guinness Book of Records. A seasoned veteran in the world of hip hop, Twista, or “Tongue Twista” as he was known in the past will be supported by Dj Hornes, Realz and Denmark’s uncrowned pop Prince, Joe Moe, the latter of whom has a new album out on the streets currently.

Rub a dub – SRF afterparty / Pharfar single release: 1st September / Stengade. 50 DKK

This year’s very first Scandinavian reggae festival is likely to be a grand affair with the likes of Albarosie, Raske Penge and Mr Vegas performing on Refshaleøen. If the deserted island is too far off, catch a snapshot of the action at the official after party which has been bound with one of the most exciting nights on the monthly calendar, Rub a dub Sunday’s. Danish Dancehall don, PharFar will be releasing an eagerly anticipated new album on the evening which will also feature appearances from the Donkeysound record label, one of the powerhouses behind the upsurge in Danish dancehall at the moment.

Downbeat Impact Vs Larica, BolsjeFabrikken (LÆRKEVEJ, Nørrebro): FREE

The legendary Candy Factory on Lærkevej or BolsjeFabrikken as it is known locally will soon be closing. Before it does however, some of the house’s veritable patrons, cult Ska Outfit Larica will probably tear the roof off it with what will surely be a mammoth evening. Larica will be backed by a host of local and international names on the evening. Did we mention that beers cost a meagre 10 DKK ?

Troels Abrahamsen : Bipolar release party, 30th August, Culture Box, 70 DKK

Troels Abrahamsen is better known as the leader of Danish electronic rock outfit Veto. The charismatic frontman combines lazy, high pitch vocals with trippy albeit lightweight beat structures that are more ideal to sway along to than they are to going amok. Abrahamsen will be flanked by popular trouble maker James Braun and names such as Erosion Flow and Walk Live. As usual, there are 2 rooms to choose from, the larger, more spacious Black Box and the basement Red room, with its low ceiling and lo-fi aesthetics.

Polica, Lille Vega, August 2013

Article for The Copenhagen Post: http://cphpost.dk/concerts/newcomers-deliver-solid-if-underwhelming-show

Lille Vega

4 out of 6 stars

With the recently concluded Strøm festival still reverberating through the spine of the city, one would be forgiven for not knowing that there would be a memorable show taking place at Lille Vega tonight. Minneapolis synthpop quintet Polica (Polish for “policy”) are a critically acclaimed outfit who’ve been impressing quite a few in the music industry of late with their curious forays into the warped world of synthpop, with a slight touch of r & b for good measure. One of their admirers is non other than Bon Iver frontman Justin Vernon, who went as far as claiming that they are one of the best bands in the world.

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Minneapolis band Polica, Synthpop affiliates destined for the grand stage. Photo: Flickr

Performing in front of an almost-sold-out Lille Vega, Polica were slow off the mark, playing with an uncanny casualness that left the audience somewhat in limbo. Sound issues did their bit to exacerbate things, making for an edgy half hour opening, with a performance of ‘Dark Star,’ off their 2012 album Give you the Ghost marking a positive turning point. The song showcased the unique quality of lead singer Channy Leanagh’s coaxing, high-pitched voice, which lost itself eloquently in the immersive, labarynthine instrumentation that accompanied her vocals. More of the same followed, as Polica looked more comfortable on stage and interacted with the audience with a bit of very straightforward stage banter. ‘Wandering Star,’ also off the Give you the Ghost album punctuated the peak of the evening, with Leanagh’s vocals given leeway to run amok once more, this time against a backdrop of sounds that reeked with the unlikely dichotomy of immense pain and great elation all at once.

Unlike the studio versions, Polica’s live music features sparse use of vocoders, meaning that its gloomy attributes are hidden more subtly. This notwithstanding, many of the songs sound very similar and with the band rarely venturing into their more adventurous, electro-heavy ethic, the concert did have the look and feel of a taciturn Monday night show at times. Venturesome antics towards the end did change this however, with a song that had been written only a few hours before the show being played shortly before an encore that bore many similarities to the loud, distorted chaos of fellow synthpop band, Crystal Castles (albeit with less of a rough edge). All in all, Polica put in a good show last night though there are no doubt many areas for improvement. For a band with only one studio album they are, by their own admission “only newcomers” so expect them back sometime soon.

Stella Polaris, Frediksberg Have 2013

A Stellar Show, As Always

“Welcome to the world’s biggest chill out festival” read the banner at the entrance to Frederiksberg have, the chosen location for this year’s Stella Polaris festival. Many harboured aspersions as to whether the new location would be quite as emblematic as the grounds outside Statens Museum for Kunst where the event has been held in previous years and indeed even after a wonderful spectacle today there are surely some who prefer the intimate feel of the “old” Stella Polaris.”

 

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Frederiksberg have gave a more spacious feel to the proceedings, which meant that the sound design had to be top-notch to ensure that the music circulated clearly across the vast expanse. Exceptional planning, clear communication and the presence of organised security ironed out any rough edges and made for a very pleasant festival location.

British deejay Rob Da Bank and Lulu Rouge were the undisputed favourites of the day, with the latter bringing the proceedings to a halt as is the case each year. Rob Da Bank’s set featured the sort of music one would expect at Ibiza’s cafe del mar, a haven for chillout music enthusiasts- with samples of the likes of Joy Division punctuating the proceedings. Danish chillout Don Lulu Rouge, now a permanent fixture in the brand identity of Stella Polaris closed things with a modest set that was more laidback than previous closing sets at the event, featuring tracks by Trentemøller, Sværd & Leth and Lulu’s own productions. Surprisingly, Dubstep and Reggae did not factor into the proceedings, as the broad dance area by the stage proved less adequate for dancing. This meant that Stella Polaris stuck to its chillout roots, with relaxing electronic music being the order of the day.

As usual, the event was crammed with numerous festival-goers of all ages and backgrounds, cementing its status as one of the most accessible festivals in the nation and even though the sunset was less epic this year, Stella Polaris remains one of the most impressive one-day events around.

 

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Tame Impala, Stor Vega August 2013

Stor Vega 5 out 6 stars

Australian psychedelic dream rockers Tame Impala were on top form at their concert at Stor Vega last night. The Perth-based band are known for their eccentric forays into the hazy territory of psychedelic rock music, and having seen them perform last night, I can safely assert that this is one band that sounds just as good, if not better, live, a rarity in the modern day music climate.

Tame Impala went on stage to a sold-out, sweaty Stor Vega, under a backdrop of trippy visuals criss-crossing the stage in the shades of numerous colours. Guided by talismanic lead singer Kevin Parker, who went on stage barefoot, Tame Impala looked comfortable and at ease from the start, playing with a gentle, assured nature that enchanted more than it entertained. Signature track ‘Elephant’ was one of the first of many anthemic tunes of the evening, a night that traverssed elements of contemplative, dreamy content and jovial, unaccented moments alike.

Smooth transitions in between songs, particularly at the beginning of the show added a tinge of sophistication to the performance, which took on the feel of a live set rather than an incongruous mish-mash of songs strung flimsily together for the hell of it, as is the case with many concerts today. Further credit is due to frontman Kevin Parker, whose outside-the-box musicianship saw him use effect pedals connected to his guitar to good effect; creating symphony-esque layers of complex musical arrangements that danced harmoniously together, each verse adding a new dimension into the complex equation.

Adding to the experimental feel to things, the Australian quintet turned their backs on the audience midway through the show and strummed in synchrony with live visuals that were mimicking their quirky guitar plucks, gracefully slapping yet another touch of finesse to their performance.

Capping things off was one of the best stage exits i’ve seen; Tame Impala went off stage to the sound of a hollow drone vibrating in the background, before one of the band members came back with a torch, amidst wolf-like howls and encouragement from an audience that had hitherto been drab and boring (so kudos must be given to the one person brave enough to hold a lighter in the air during the show.)

One long encore later and Tame Impala left as they had came, exiting humbly, with the class and confidence of musicians comfortable in their element, flag bearers of the modern psychedelic rock movement.

Dan Thatsme Interview

Meet Dan Presencer, the youthful face behind DanThatsme, an ambitious singer-songwriter who’s trying to make a career writing and performing songs, as he looks to carve his niche in the musical landscape of the modern day. Somewhere at the swaying crossroads between Jeff Buckley and Joni Mitchel, DanThatsme is now a something of a fixture on the local singer-songwriter circuit. But the former Camden town lad has plans that extend beyond the borders of wonderful Copenhagen. Here is Dan’s story: (photo credits: AmK) 

AmK : “Dan Thatsme. Who is that ?”

Dan: “DanThatsme.” “I wanted to have a name that was really simple without it really meaning anything.” “I didn’t want to have a name like Cloudy Sunday or something like that.” “I wanted something very straightforward without any connotations.” “I wanted all of the focus to be on my playing and my music- nothing else.”

AmK : “And you play as part of a trio here in Copenhagen now.” “Could you tell us a bit about that ?”

Dan: “At the moment i’m playing with a trio, and i’m on the guitar, vocals and writing myself.” “I’ve got an amazing bass player, Dan Peter Sundland who is Norwegian and lives in Berlin and comes over here for gigs.” “He is an absolute burner, whilst being very tasteful, very giving and very thoughtful.” “There’s also a young drummer who is up and coming on the Copenhagen jazz scene, Rasmus Meyer.” “He’s a fantastic guy, fantastic player – really committed.” “It’s a privilege to have them both in my band and when we play it’s a lot of fun.” “Sometimes I play with another up and coming jazz saxophone player called Ollie Wallace who is a burning bee bop player who plays solo lines and backup harmonies on the sax.”

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A seasoned musician.

AmK: “How long have you played music for ?”

Dan: “Since the age of four.” “I took violin lessons initially but I was never really into it.” “From the age of nine I started singing in choirs.” “If you google my real name you can find me on a CD as a soloist when I was 10.” “We sang really complex songs and toured the world quite a bit so it was serious stuff.” “My voice broke and I stopped singing in a cathedral choir and I got a guitar at around the same time, aged 11.” “I really got into it and got bored of playing standard stuff.” “I wanted to play material that was as harmonically complex as what I sang in the choir and I wanted to be able to do it on my own as opposed to with the choir.” “This is what drove me to branch out as a guitarist.”

AmK: “You come from a strong tradition of musicians and artists in your family- your dad is a famous jazz trumpet player and your mum is composer.”Does this create any pressure on you as a musician ?”

Dan: “Yeah my dad, Gerard Presencer, played the trumpet combination in the famous Cantaloupe record, aged just eighteen.” “He’s a busy, successful jazz trumpet player.” “When I was still in my mum’s womb she was a very active classical flute player so even before I was born I was exposed to high level classical music.” “My granddad is a trombone player and he played in Woody Herman’s band and under Frank Sinatra’s big band so I was brought up with music around me, jazz especially.”

It does create a bit of pressure- it’s one of the reasons behind my artist name, DanThatsme – I don’t want to tarnish the family name.” “I quit music when I was 20 and thought, sod this – I wanted to have a real job but I tired of it pretty quick and came back to it.” “It’s also really useful though, to have such influential musicians in my family.” “I have very high standards and a discipline that comes from them – I don’t have some sort of naive dream about what the music industry is.” “My parents are musicians, my grandparents are musicians, all of my family friends and the people I hang out with a kid- all of their parents are musicians, so from a very early age I knew what the reality was and how things work.” “When my parents come to my performances I get very nervous because I know they’re judging me, not as a parent, but as colleagues.”

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From Camden town to Copenhagen

AmK: “You now live in Copenhagen, having grown up in London, Camden town to be more exact?”

Dan: “Yeah, well I lived in Camden town and I worked in a few places – When I stopped playing for a few years I got into bikes and I worked in different bike shops.” “I worked in a shop on Great Portland Street and in another in Euston and I loved it.” “I loved bikes but I got a bit bored and broke up with a girl which left me at the crossroads.” “My parents live here and I love Denmark so a move seemed logical.” “I told them I was thinking of working part-time and getting back into music and they said “sod that, come live with us and you don’t have to worry about rent or buying your own food and you can practice everyday. ” “My dad would give me lessons in the mornings; i’d go into the cellar everyday and practice for a long time.” “I came here with a vision of being a man for hire- playing in somebody’s band or something of the sort but I got back into songwriting again and sort of branched out on my own.” “My mum suggested that I go to an open mic and play as I didn’t know anyone here in Copenhagen, which I nervously did…”

AmK : “Was that the Juke Joint at Modjo’s `?”

Dan: “It was at Blågårds Apotek actually.” “The Juke Joint was a bit later.” “I went to Blågårds and the legendary Benjamin Aggerbæk put me on.” “I played a few songs and made some friends really quickly and the process sort of repeated itself as these things tend to do.” “The emphasis went to writing and practicing my own songs rather than doing covers, which meant that my songwriting skills grew a fair bit.”

AmK: “If you were to describe your music, is there any particular genre you think it falls under ?”

Dan: “Well, I guess people would say pop though I would say it’s more a combination of things that I like, things that I take inspiration from.” “I remember listening to Jeff Buckley aged fourteen over and over again and thinking “This guy is just the best , I love him !” Joni Mitchel is another big influence – I got a copy of “Blue” at around the same time I started to listen to Jeff Buckley (fourteen-fifteen) which is also the same age that I started to write songs.” “I listened to them both on repeat and I’d say they came to influence a huge part of my music.” “I have a thing for the letter J actually- if your artist name starts with the letter J then you know you’ll be successful- Jimi Hendrix, John Mayer, Jeff Buckley, Joni Mitchell, Jill Scott , who I named a song of my own after (Better at home)”

AmK : So you’re a J Junkie is that it ?

Dan: “Haha yeah, you could say so.” “It’s difficult to say who one’s influences are really- I have periods of absorption really, where i’ll listen to one thing for a few weeks all the time and then move on to something else.”

AmK: “Would you say that you’re the traditional singer-songwriter type then ?” “Or is there another dimension to Dan Thatsme ?”

Dan: “Well there’s different types of singer-songwriter people.” “I’m not a Bob Dylan type for instance- I was never really a fan.” “However I sing and I write my own songs and I play them so yes, I am a singer songwriter even though I don’t think it helps my audience to view me as such.” “It can be limiting as a description of me because it pretty much describes every guy with a guitar – there’s an awful lot of songwriters which makes it hard to stand out.”

Amk: “It is hard to stand out. What about your songs, what sort of themes do you sing about ?”

Dan; “My songs are all about women (laughs) They are all about women !”

Amk: “All of them ?”

Dan: “Yeah, bar maybe one which I never play.”

Amk: “Is that one about a guy then?”

Dan: “It’s about a man, yeah, this massive guy.” “No, they’re all about women.” “I find relationships and women really inspiring.” “I could easily play a whole set of songs just about my current girlfriend.” “With music you can say things that you can’t really say in real life.” “I have three and half minutes to speak my mind without getting interrupted (laughs)”

AmK: “Yeah there’s a forum for it, isn’t there ?”

Dan: “Indeed, and you can always brush it off and say “It’s just a song, nothing more you know?” “It’s also something that people can relate to and it’s really cliche to write songs about women but it’s what I do.”

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More than just music

Amk: “So now that you’re settled in Copenhagen, what’s next for you ?” “You give guitar lessons in your free time, what does this bring to your musicianship ?”

Dan: “Yeah I’m settled here now and I love Denmark.” “I had to work out a way of making some money when I first moved here.” “Initially I wanted to work in bike shops, so I made a CV documenting my experiences as a bike mechanic and sent an email to pretty much every bike shop you can imagine and I got nothing back, which was disappointing as I am a good mechanic.” “So my mum gave me one of her GCSE students who needed a few lessons.” “He was in a very safe place for me to learn how to teach music.” “One student turned into two and that turned into three and now I have around twenty to twenty five weekly students.” “Some are beginners and some are pretty good.” “It’s inspiring to start someone’s career in music and I think that my enthusiasm and love of music comes off through my teaching.” “It also keeps me on my toes- I have some students that are really good and who inspire me when it comes to composing my own material.” “It’s easy to get stuck in a rut when you’re a musician so having students that ask tricky questions or come up with interesting, inspiring chord combinations helps.”

Amk: “You’re set to play at a music festival in Italy soon too, tell us a bit about that”

Dan: “My band and I have been booked to play at the Ferrara music festival in the Northeast of Italy.” “I’m really looking forward to it- traveling with two really good friends who happen to be in my band and some other good friends will be playing at the festival too.”

AmK: “It’s your second festival, having just played at Nakkefestival, Does this give you more confidence ?”

Dan: “It will actually be my third, as I’m playing at the Copenhagen singer-songwriter festival just before so by then i’ll be a seasoned festival player (laughs)”

Amk: “What would you say the challenges are when it comes to being a musician ?”

Dan: “I find it hard to practice everyday- to remember to keep fresh, even though I love doing so.” “I love finding new ways of playing, new ways of understanding music and so on.” “It’s my passion so i’m really lucky that I get to do so as part of my job.” “There are challenges to every job; you have to work out what your niche is and what you can do to make a living.” “There’s also more to being a musician than just the music, even for established musicians – they have to do interviews, photos, charity work and so on, some of which may not necessarily be interesting but that is nonetheless a part of the job.”

Amk: “Which brings me to one of my last question.” “Where do you want to go with DanThatsme, where will you be in a few years time ?”

Dan: “For the moment it’s going great.” “I have a fantastic band and the songs keep coming.” “My goal as a musician is to do something new.” “My thought process is to add new approaches to the rhythm and nature of my music whilst still sounding pleasant.” “I don’t mean like making squeaky door contemporary classical music- It’s about crossing between genre lines and being myself.” “I would like to have recorded my album in a years time here in Denmark.” “I’d like to be playing more gigs and to more people, to a broader audience.” “I just want to play really and see how it goes.”

Find Dan’s music on his Facebook page :https://www.facebook.com/DanThatsme?fref=ts

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